Logic Pro X – Music Production Course
This three week intensive Apple Logic Pro certification course is aimed at anyone with an intended eagerness to make or create music using Logic Pro X. From an absolute beginner and intermediate, through to an expert level producer, you can all apply for this course and will benefit from the shared knowledge of the certified Logic Pro X course tutor. In this course for Logic Pro X, students learn how to generate a customized audio and MIDI configuration that will seamlessly integrate with their own personal production studio. Students also create their own song using Logic Pro’s comprehensive array of software instruments, Apple Loops and DSP effects as part of their Logic Pro X training. In-depth lessons cover MIDI and audio recording, streamlined editing and arrangement techniques, user defined key commands, automation, scoring to picture and surround mixing.
Prerequisites / Eligibility
Awards (On Completion)
- Seamedu Apple Logic Pro certification on successful completion of the course
- Apple certification for Logic Pro X
- Globally recognized training from an Ableton Certified Trainer.
- Unlimited access to the well-equipped music production lab, 1:1 student to workstations ratio for class and practice before and after the classroom training.
- Hands on access to MIDI keyboards, push 2 controllers and an analog synthesiser.
- Seamedu Ableton Live training Certificate upon successful completion
- Introduction to audio
- Physics of sound
- Decibels and metering
- Studio equipment for home and professional setups
- Fundamentals of digital audio
- Digital signal processing via the use of audio effects
- Foundations of electronic music production; MIDI, sampling &synthesis
- Make Music with Logic Pro
Opening Logic, Exploring the Interface, Starting a Project with Apple Loops, Navigating the Project, Building an Arrangement, Mixing the Song, and Exporting the mix
- Recording Audio
Setting Up Digital Audio Recording Settings, Recording a Single Track, Recording Additional Takes, Recording Multiple Tracks, Punching In and Out (On the Fly and Automatic), Changing Recording and Metronome settings
- Editing Audio
Comping Takes, Assigning Mouse Tools, Editing Audio Regions in the Arrange Area, Deleting
Unused Audio Files, Manipulating the Waveform with the Flex Tool and Editing Audio
Destructively in the Sample Editor
- Recording MIDI
Recording MIDI, Quantizing MIDI Recordings, Merging Recordings into a MIDI Region, Recording MIDI Takes, Using Punch Recording, Using Step Input Recording and Filtering Incoming MIDIevents
- Programming and Editing MIDI
Programming in the Piano Roll Editor, Editing a MIDI Recording, Using the Score Editor, Editing Notes with a MIDI Keyboard, Editing Note Velocity Using Hyper Draw, Editing MIDI Continuous Controller Events and Editing in the Event List
- Programming Drums
Programming a Drum Pattern in Ultrabeat, Changing the Groove in the MIDI Editors, Creating a Snare Roll Using the Hyper Editor, Converting a MIDI Sequence into an Audio Region and Converting an Audio Region into a Sampler Instrument Track
- Manipulating Tempo and Time Stretching
Matching the Project Tempo to an Audio Region’s Tempo, Inserting Tempo Changes and Curves, Creating Apple Loops, Changing the Playback Pitch and Speed with Varispeed, Time Stretching and Tempo Matching with Flex Time Editing and Creating a Turntable or Tape Slowdown Effect
- Arranging and Preparing for the Mix
Previewing the Song, Using Existing Material to Fill in Parts, Adding and Deleting Sections, Muting Elements and Cleaning Up Noisy Recordings
Previewing the Final Mix, Using the Amp Designer, Using the Pedalboard, Adjusting Levels, Choosing Pan Positions, Choosing EQ Settings, Using Delay and Reverberation, Using Dynamic Processing Plug-ins and Tips and Tricks
- Automating the Mix and Using Control Surfaces
Creating and Editing Offline Automation, Recording Live Automation, Using Control Surfaces and Exporting the Mix
- Troubleshooting and Optimization
Making Backups, Solving Audio and MIDI Routing Problems, Optimizing Hardware Performanceand Addressing Unexpected Behaviors
- Certification Exam
Students take an end user exam to earn Apple Certified Pro, Logic Pro 9 Level One status.
- Anyone who wants to make music
- Aspiring Music Producers
- FL Studio users
Sound engineering involves the technical and creative processes of recording music and sound. Sound engineers do this by mixing and manipulating the electronic effects of sound and reproducing it. The music or sound is captured with the help of microphones, recorders or recording software and then edited and mixed as required. Sound engineers have immense scope in fields like film and television, radio, music studios, concert venues, computer games and theatres.
No. The eligibility criterion for this course is the successful completion of class 12th/high school/equivalent.
No, you do not need a science background to do this course. Apart from completing your class 12th, you also need to have an avid interest in music (and sound, in general). Our course is designed to train music engineers and producers of different genres. We do not teach music and hence it does not matter what musical background you have.
The number of students in each batch depends on the course, the city and the number of enrolments we are accepting for that year according to the availability of our studio facilities and faculty recommendations.
We offer both degree and diploma courses. Ideally, if a student is in 12th or has completed 12th, he/she can apply for the degree course. If the student is in his/her final year of graduation or is a graduate, the Diploma course is the way to go. We also offer a Certificate Program in Live Soundwhich is a three week programme for people who are specifically interested in Live Sound.
United We Stand by Prateek Pillai
Andheri Roshni by Shivashankar
Chehra tera by Dixit Jaiswal ft. RGK.
Faculty – Music Production
Faculty – Music Production
Sushant has completed his B.Com from Pune University and Diploma in Sound Engineering & Music Production from Alchemea College, London. He has worked as freelancer (Mixing & mastering engineer) and has undertaken projects with Abbey Road Studios, Live here & now etc.